摘要
在数字媒介环境中,拉图尔的“行动者网络理论”能够为追溯、界定汉服文化的当代发展模式找到缘由。这种研究方法将“物”作为研究中心,通过追踪人与“物行动者”之间的关联,复原了行动的社会文化地形。以“物”为中介凝结起来的具有行动力的汉服文化群体,以多种方式阐释了传统服饰文化在当代的复兴趋势,在论争中传达着对传统文化如何融入现代生活的不同理解。在曲折中发展的汉服群体,活跃在当今的媒介环境和全球化语境中,使汉服文化成为负载爱国情感认同的表达工具。借助理论可以为汉服文化研究找到观察突破口,经由汉服文化论题则又透视出中国当下媒介政治生态中的情感和认同表达。
In the context of digital media,the contemporary mode of Hanfu culture can be traced and defined with Latour’s actor-network theory(ANT).From the perspective of ANT,the social and cultural terrain of action can be restored by tracing the relationship between human and object actors with the“object”as the focus.The community of Hanfu culture is action-oriented mediated with the“object”,demonstrating the revival trend of traditional clothing culture in contemporary times in various ways,and conveying different understandings of how traditional culture is integrated into modern life through its debates.Hanfu community,which develops in twists and turns and becomes active in today’s media and globalization environment,makes Hanfu culture an expression tool loaded with patriotic emotion.With the help of ANT,we canfind a breakthrough in the study of Hanfu culture through which we can see the expression of emotion and identity in the media political ecology in contemporary China.
出处
《上海文化》
CSSCI
2022年第10期94-103,共10页
Shanghai Culture
