摘要
在中国古代儒家经典的七次大规模刻石运动中,启动于后蜀广政年间的蜀石经,以经目众多、经注并刻、规模最大、历时最久而引人注目。蜀石经刻于中国西南出版中心之成都,历经后蜀、北宋、南宋三代,跨越二百余年而最终刻成,其时正当从写本时代到刻本时代之过渡时期,具有特殊的历史意义。惜夫蜀石经原石被毁已久,残存的宋代拓本稀若星凤,刘体乾收藏蜀石经之宋拓本弥足珍贵。其中所存清代名家题跋总计225条,涉及人物超过100人,时间跨度长达141年。这些题跋不仅记录前人对蜀石经的阅读心得,也勾勒出一个金石文化的学术圈子,确立了他们的身份认同。题跋者同时也是阅读者,通过题跋的阅读与写作,通过文字、书画与思想的交流,一个具有中华民族传统特色的阅读文化现场得到生动而清晰的呈现。
Among the seven movements of the Confucian Classics Inscription on the Stone Tablets,the one which was initiated during the Guangzheng Period(938-965),has attracted much academic attention,for its broad and long-lasting coverage of the main classics with their annotations.After more than 200 years,these stone classics inscriptions were finished in the 13th century at Chengdu,exemplifying its specific significance in the Chinese history of book production.The extant Song Dynasty Rubbings were so rare and valuable that the collection kept by Liu Tiqian attracted more than 100 prominent readers and scholars to write 225 postscripts in the span of 141 years.These postscripts were regarded not only as a record of the reading process of the elite literati,but also a sketch of their communication and a confirmation of their identity.The writers of these postscripts were readers too at the same time.Through their verbal and pictorial communication,a reading culture with traditional Chinese characteristic emerged distinctly and vividly.
出处
《社会科学战线》
CSSCI
北大核心
2022年第10期94-104,282,F0002,共13页
Social Science Front
基金
国家社会科学基金重大项目(10&ZD130)。
