摘要
沧源崖画与耿马石佛洞在时空分布上的契合可为研究佤族的族源问题提供参考依据,进一步查阅资料和调查之后可以发现,这两处遗迹与澜沧江流域周边地区的早期人类遗迹有着直接和间接的联系。本文对沧源崖画和耿马石佛洞遗迹与周边崖画和遗迹的关系进行了系统整理,并利用考古学和民族学的研究方法,结合历史文献资料,分别论证了沧源崖画、耿马石佛洞与佤族的关系,认为现代佤族是由沧源一带多个早期部族汇聚而成。
Given their spatial and temporal distributions, Cangyuan cliff paintings and Gengma stone Buddha cave shed new light on the ethnic origin of Wa Ethnic Group. Further research and investigations indicate that both sites are directly, or indirectly, related to remains left by early humans in Lancangjiang River basin. In this article, there is a systematical categorization of Cangyuan cliff paintings, Gengma stone Buddha cave and other cliff paintings and remains discovered in nearby areas. How Cangyuan cliff paintings and Gengma stone Buddha cave each was linked with Wa Ethnic Group are expounded and proved by archaeological and ethnological research and historical records. It is inferred that modern Wa Ethnic Group is composed of descendants of a number of early tribes once lived in Cangyuan.
出处
《华夏考古》
CSSCI
北大核心
2022年第5期78-85,共8页
Huaxia Archaeology
关键词
佤族
族源
考古学
沧源崖画
耿马石佛洞
Wa Ethnic Group
ethnic origin
Archaeology
Cangyuan cliff paintings
Gengma stone Buddha cave
