摘要
近些年,科学史、博物学文化、视觉文化、图像史学、人类学地方性知识等学术探究几乎同时用于古代美术作品的研究,其中博物学视角的分析具有独特性和基础性,这要求研究者通晓历史和地方性知识,充分利用现代自然科学之分类学、生态学知识对作品进行基本的“识图”描述,揭示当时当地人的“生活世界”场景和认知水准,进而讨论其文化、历史、政治含义等。清代宫廷留下大量博物题材绘画及相关档案材料,对它们进行博物学细节和地方性特征的分析,在现在看来非常有必要。清宫绘画在继承汉文化、融合满洲文化以及反映中西物质和文化交换方面均具有显著的博物学特征。这些清宫绘画案例的实质性分析将为古代美术作品的博物学研究提供了一种极具前景的可能性方案。
Recently, the ancient art works have been focused by history of science, natural history Culture, visual Culture, iconography, Local Knowledge of Anthropology and so on, especially the perspective of natural history is special and fundamental for this research. it requires researchers to be familiar with history and local knowledge, and make full use of the taxonomy and ecological knowledge of modern sciences for describing the details of antique basically, in order to revealing the “life world” scene and cognitive level of the local people at that time, and then discussing their cultural, historical, political implications, etc., therefore, it is very necessary to analyze the Qing palace paintings and related archives most of which still survive to this day on the detail of natural history and character of local knowledge. Qing palace paintings have remarkable feature of natural history in inheriting Han culture, incorporating with the Manchu culture and reflecting the material and cultural exchange between China and the West. The case study of the Qing palace paintings provides a promising possibility to research the natural history of ancient art works in the future.
作者
王钊
WANG Zhao(Interdisciplinary Center for Culture,Science and Technology,Sichuan University,Chengdu 610065,China)
出处
《自然辩证法研究》
CSSCI
北大核心
2023年第1期17-23,共7页
Studies in Dialectics of Nature
基金
国家社科基金重大项目“西方博物学文化与公众生态意识关系研究”(13&ZD067)
国家社会科学基金项目“明清艺术图像的博物文化研究”(22CZS039)。
关键词
清宫绘画
博物学分析
地方性知识
视觉文化
Qing palace painting
the analysis of natural history
local knowledge
visual culture
