摘要
传统空间观念随千年文脉流淌,在诸多传统艺术作品中显现/隐匿着。中国电影同样在潜移默化中形成较为典型的空间叙事观:其趋于延展化的画境空间承载着可游可居的美学追求;其颇具审美表现化的意象空间涌现出景即是情的审美观念;在画面之外,其借助可供感知与联想的声音元素开拓出层次丰富的电影空间,凝聚着秘响旁通的艺术认知;另外,中国电影还通过创作主观化的空间组合,展现出俯仰天地的艺术况味。可以说,空间这一“芥子”中容纳着中国传统文化这座“须弥山”。
Thousands of years of cultural lineage shape the traditional perception of“space”in China,and the perception is displayed/hidden in various traditional artworks.The iconic spatial narrative in Chinese film is also subtly influenced by the cul⁃ture.It is demonstrated that Chinese films serve as an unfolding painting that establishes a connection between human emotions and the natural world.Following the traditional aesthetics,the film space satisfies the pursuit of naturalistic beauty and becomes a place“where one can live”and“where one can travel”.In addition,it is recognized that the film images secretly embed and manifest feelings.The film space is further extended by using symbolism in sound,creating an atmosphere where the sentiments resonate all around in both the visual and audio dimensions.Furthermore,in creating Chinese films,the directors subjectively combine the spaces and demonstrate a generous and kind attitude towards nature and the world.In summary,spatial narrative in Chinese film is an important element that embodies Chinese traditional culture.
作者
王海洲
丁明
WANG Haizhou;DING Ming
出处
《上海师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2023年第2期94-105,共12页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
基金
2020年度国家社科基金艺术学重大项目“中国艺术文化传统在当代中国电影中的价值传承与创新发展研究”(20ZD18)子课题“中国文化艺术传统在中国电影中的传承与弘扬发展研究”。
关键词
中国电影
空间叙事
电影美学
Chinese film
spatial narrative
film aesthetics
