摘要
凄凉调调意包括《凄凉意》《楚商意》两首,最早见于《神奇秘谱》,后分别存见于明清共十五部琴谱中。在琴谱的传承与流变中,两首调意形成了多种版本体系,《凄凉意》的诸多版本在宫系、调式、结构、词曲关系等方面呈现稳定的特征,在音阶、旋律、指法方面较为灵活;《楚商意》的版本流变相对稳定,体现了明代浙派徐门琴谱较为规范的传承特点。由于凄凉调定弦的特殊性,该调琴曲在调高方面有多种可能。《凄凉意》与《楚商意》中包含凄凉调琴曲调式的特色,具有预示琴曲内容、规范结尾的作用。
The two Diao-I in Qiliang Diao include"Qiliang YiI"and"Chushang Yi"which were first published in the"Shenqi Mipu",and later recorded in fifteen other scores of the Ming and Qing dynasties.Various versions of the two tunes have been formed along with their transmission and evolution,while they had shown stable char-acteristics in terms of key system,tuning,structure and the relationships between lyrics and music,but more flexibility in terms of scale,melody and fingering.The versions of"Chushang Yi"are relatively stable and re-flect the standa rdized inheritance of Zhejiang school Xu's scores in the Ming dynasty.Due to the unique tuning of Qiliang Diao,there are many possibilities in the keys.The keys of the two Diao-I are the same as that of Chu Shang Yi which indicate the content of the tune and regulation its ending.
出处
《音乐文化研究》
2023年第1期87-100,5,共15页
Music Culture Studies
关键词
调意
凄凉意
楚商意
调意版本
凄凉调琴曲
Diao-I
Qiliang Yi
Chushang Yi
versions
qin music in Qiliang Diao
