摘要
记忆是鲁迅创作中的重要主题、资源与言说对象。鲁迅涉及记忆的文本,揭示了他深层的人格特质和精神世界。鲁迅童年的生活体验与记忆使得他易于感受到一种创伤感,尤其是父亲的病与死影响着他生命的始终;他在20世纪20年代创作的《野草》《朝花夕拾》,共同构成了他以个人和集体为取向的记忆方式;鲁迅在努力记忆的同时,也承受着无法忘怀之苦。在记忆与忘却、个人与集体、自我与时代之间,鲁迅呈现出不断反复的姿态。借由记忆理论,以《野草》《朝花夕拾》为考察中心,可以为解读鲁迅及其文本提供一个独特的视角与路径。
Memory is an important theme,resource and object of narration in Lu Xun's works.His texts involving memory reveal his deep personality and spiritual world.Lu Xun's childhood experience and memory made him prone to a sense of trauma,especially his father's illness and death affecting him throughout his life.His Wild Grass and Dawn Blossoms Plucked at Dusk created in the 1920s constitute his individual-and-collectivity-oriented way of memory.While trying to memorize,he also suffered from the pain of being unable to forget.Lu Xun repeatedly shifted between memory and forgetting,the individual and the collective,and self and times.Based on memory theory,focusing on Wild Grass and Dawn Blossoms Plucked at Dusk,we can provide a unique perspective and path for the interpretation of Lu Xun and his texts.
作者
孙士棋
Sun Shiqi(School of Chinese Language and Literature,Nanjing Normal University,Nanjing,Jiangsu 210097)
出处
《嘉兴学院学报》
2023年第3期89-95,共7页
Journal of Jiaxing University
关键词
鲁迅
创伤体验
记忆方式
《野草》
《朝花夕拾》
自传
Lu Xun
traumatic experience
way of memory
Wild Grass
Dawn Blossoms Plucked at Dusk
autobiography
