摘要
《在伊犁》系列小说是王蒙“新疆叙事”中非常特殊的部分。《在伊犁》系列小说的创作既不像“戴着镣铐”书写的《那边风景》,也回避了自传里新疆记忆的几分残酷、荒谬。王蒙《在伊犁》系列小说的写作试图通过放弃职业小说家的文学技巧,力求只进行质朴的记录从而营造一种非小说的纪实感。或许正是因为它过于“朴素”,现有关于《在伊犁》的研究并不充分、深入,尤其是其中丰富的声景记忆更是少有提及。《在伊犁》中,人声、自然声和大众媒介之声是较为重要的三种声音类型。以这三类主要声音构成的声景不仅是作者塑造人物、营造环境、推进叙事的主要手段,也是声音政治发挥作用的具体场域,同时传达了孤独的人生况味以及热爱生活的主旋律。
The series of novel In Yili is a very special existence in Wang Meng's"Xinjiang narrative".The creation of the series In Yili is neither like the Scenery Over There written in"shackles",nor avoids the cruel and absurd memory of Xinjiang in the autobiography.The writing of Wang Meng's In Yili series tries to create a sense of non-fiction documentary by giving up the literary skills of professional novelists and trying to make simple records.Perhaps it is just because it is too"simple".The existing research on In Yili is not sufficient and in-depth,especially the rich sound&landscape memory is rarely mentioned.In In Yili,human voice,natural voice and electronic media voice are three important types of voice.The s sound&landscape composed of these three main voices is not only the main means for the author to shape characters,create environment,and promote narration,but also the specific field in which voice politics plays a role,and at the same time conveys the lonely taste of life and the main melody of loving life.
作者
赵娟
ZHAO Juan(Border Literature and History Center,Yili Normal University,Yining,Xinjiang 835000)
出处
《绵阳师范学院学报》
2023年第6期114-119,146,共7页
Journal of Mianyang Teachers＇ College
基金
2021年度新疆维吾尔自治区普通高校人文社会科学重点研究基地边疆中华文史研究中心开放课题“文化润疆视域下‘开发者文学’中的共同体建构及跨媒介传播研究”(BJWSY202105)
2021年度伊犁师范大学科研项目“我国主流媒体用新媒体进行政务传播的研究”(2021YSYB066)。
关键词
王蒙
《在伊犁》
声景
日常生活
Wang Meng
In Yili
sound&landscape
daily life
