摘要
中国传统乡土文化具有实用性、社会性、艺术性等特征,为艺术介入乡村建设提供了文化基因和美学基础;然而当前艺术介入乡村建设实践却陷入形式主义的审美迷思中,积淀了中华文明价值的乡村秩序、结构和精神开始涣散,润泽传统乡村生命的共同体艺术开始溃败。艺术介入乡村建设应尊重在地资源和文脉,秉持“去艺术化”的美学原则,不应着眼于单纯的形式化的“造物”“造景”,而是以村民为主体,唤醒村民的主体性价值,重构村民的生产和生活方式,重塑文明新形态。
Traditional Chinese local culture is practical,social and artistic,providing a cultural gene and aesthetic foundation for art to intervene in rural construction.However,the current practice of modern art’s involvement in the rural construction has fallen into the aesthetic myth of formalism,and the rural order,structure and spirit that accumulated the values of Chinese civilization have begun to disperse,and the community art that nourishes traditional rural life has begun to collapse.This paper argues that,during the art rural construction,we should respect local resources and context,adhere to the aesthetic principle of“deartistization”.With the villagers as the main body,the formal“creation”and“landscape”should not be focused on,the subjective value of the villagers should be awakened,the production and lifestyle of villagers should be reconstructed,and a new form of civilization should be reshaped.
作者
徐一舟
XU Yi-zhou(College of Science and Technology,Ningbo University,Ningbo 315300,China)
出处
《宁波大学学报（人文科学版）》
2023年第4期126-132,共7页
Journal of Ningbo University：Liberal Arts Edition
关键词
乡村振兴
艺术
文明重建
美学省思
rural revitalization
art
civilization reconstruction
aesthetic reflection
