摘要
叙事性是汉画像石艺术的典型特征之一,汉画像石依礼教而寓象征,以直观的视觉符号隐喻着多重的文化内涵。本文针对极具地域特征的徐州汉画像石建鼓舞图像,从舞者造型、建鼓形制、演出场地三类图形语素阐述单元建鼓舞画像的叙事表现手法,通过归纳复合图式的构图形式分析“乐舞百戏”“车马出行”“庖厨宴饮”等艺术要素联结的叙述意义,在此基础上以洪楼祠堂为例,从汉画空间叙事角度进一步探讨建鼓舞图像在整体空间叙事中的叙事层次与轨迹。意在汲取有关传统中国墓葬空间中图像叙事的根本逻辑,为探求汉画在建筑结构上的视觉意义提供参考。
Narrative is one of the typical characteristics of Han Dynasty painting stone art,which is based on ritual and symbolism,implying multiple cultural connotations through intuitive visual symbols.This paper focuses on the highly distinctive Xuzhou pictorial stone images of jian-drum-dance in Han Dynasty,elaborating on the narrative expression of the portraits in terms of three types of pictorial elements:the shape of the dancers,the form of the drums,and the performance venue.By analyzing the composition of the composite pictorial forms of music and dance,carriage and horse travel,and kitchen and banquet,the spatial narrative of the images is further explored from the perspective of the spatial narrative of Han painting,using the Honglou Ancestral Hall as an example,and exploring the narrative levels and trajectories of the images in the overall spatial narrative.The intention is to draw on the underlying logic of the narrative of images in traditional Chinese burial spaces,and to provide a reference for exploring the visual significance of Han painting in architectural structures.
作者
肖奕云
崔华春
XIAO Yiyun;CUI Huachun(Jiangnan University,214122 Wuxi Jiangsu)
出处
《设计艺术研究》
2023年第3期127-131,141,共6页
Design Research
关键词
汉画像石
建鼓舞
图像叙事
空间叙事
礼仪美术
Han Dynasty stone reliefs
Jian-drum-dance
visual narratives
spatial narrative
ritual art
