摘要
分形作为大自然中最常见的图形之一,是混沌理论抵达宇宙真相描述事物运动中混沌现象的重要范畴,不仅表明在一个有限的空间内存在无限的可能性,同时也说明宇宙的本质某种程度上呈现出一种“自相似性”。本文在混沌理论与文学发生学的观照下讨论了分形与物理学家玻姆提出的“非局部性”以及中国传统中医理论的呼应,中国古典文学叙事传统与传统艺术领域的重影技法对分形概念的运用,以及当代美国作家科麦克·麦卡锡小说中一以贯之的逃逸人物存在的自相似性而形成的分形的美学效应。科学与人文对于宇宙真相的探讨不仅有融通的可能,两者对宇宙真相的抵达实则“殊途同归”。
As one of the most frequent designs in nature,fractal is one of the most important concepts for chaos theory to describe the chaotic phenomenon in its study of the truth of cosmos,which not only shows that there exists infinite possibilities in the finite space,but also shows that the truth of cosmos presents to be of self-similarities.This essay mainly discusses the mapping and correspondence for the theory of fractal and non-locality as well as traditional Chinese Medicine,fractal and its use of repeated images presented in Chinese classical literature and traditional arts,and escapist narration and its construction of the general aesthetic effect of fractal for Cormac McCarthy’s fiction with theoretical dimensions of Literary Genealogy and Chaos Theory,attempting to point out that it is possible for humanities and natural science to go beyond disciplinary boundaries,after all,both hold the same purpose to find out the truth in our cosmos.
出处
《河南社会科学》
北大核心
2023年第7期58-70,共13页
Henan Social Sciences
基金
国家社会科学基金一般项目“新世纪美国小说‘混沌’书写研究”(21BWW049)。
关键词
分形
非局部性
中医理论
中国古典文学
麦卡锡小说
Fractal
Non-locality
Traditional Chinese Medicine Theory
Chinese Classical Literature
Cormac McCarthy’s Fiction
