摘要
羌姆产生于八世纪,是西藏寺院的宗教舞蹈,在固定的宗教节日中表演,同时也是藏族人民生活劳动的结晶。本文通过访谈法、实地调查法、文献分析法对热贡地区加毛村密宗院的羌姆舞蹈进行考察,并将舞蹈的表演机制、内容及地方表演禁忌整理成文。主要目的在于为羌姆舞蹈的传承与发展提供一份高质量的参考资料,充实“羌姆舞蹈”的理论知识。
Qiang Mu was born in the eighth century.It is the religious dance of Tibetan monasteries,performed in fixed religious festivals,and also the crystallization of Tibetan people’s life and labor.In this paper,the Qiang Mu dance in the Tantric Academy of Jiamao Village in the Regong region was investigated by means of interview,field investigation and document analysis,and the performance mechanism,content and local performance taboos of the dance were written.The main purpose is to provide a high-quality reference material for the inheritance and development of Qiang Mu dance and enrich the theoretical knowledge of“Qiang Mu dance”.
作者
李秀加
LI Xiujia(Dance Academy of Northwest Normal University,Gansu Lanzhou 730000)
出处
《中国舞蹈学》
2023年第1期64-82,344,共20页
CHOREOLOGY IN CHINA
基金
2022年度国家社科基金艺术学项目“中国藏族民间舞蹈史整理与研究”(编号:22CE175)的阶段性成果。
关键词
加毛村羌姆舞蹈
羌姆舞蹈
表演机制
表演内容
Qiang Mu dance in Jiamao Village
Qiang Mu dance
Performance mechanism
Performance content
