摘要
与文字语言相比,影像语言更适合为观众呈现具体的感官体验,感官民族志影像的身体以“具身化”形式与外界产生关联,并通过影像的感性表达与观众身体相互缠绕形成一种亲密的关系。自2006年哈佛大学感官民族志实验室(SEL)设立后,它推出了一批感官体验类影像作品,“影像身体感”促使观众将自身的感官感知“介入”电影身体,以SEL作品为例,针对“如何凸显影像身体感”这一问题,分别从表现对象及运动状态两方面切入,SEL感官民族志影像在选择现实事物后会对其进行“质感式”或“陌生化”的变形,再采用“附体”运镜或调整摄影机运动的整体形态,赋予影像具有感知外物、传递温度的“体感”,唤醒影像本体的感官,最终令观众借助“电影身体”获得全面、拟真的感官体验。
Compared to the language of words,the language of images is more suitable for presenting audiences with concrete sensory experiences.The cinematic body is associated with the outside world in the form of“embodiment”and forms an intimate relationship with the viewer's body through the sensual expression of images.Since the estab⁃lishment of the Sensory Ethnography Lab(SEL)at Harvard University in 2006,a number of works on sensory experi⁃ences have been released,in which the“image body sense”prompts the audience to“intervene”with their own sen⁃sory perceptions in the film body.The SEL works,for example,address the question of“how to highlight the sense of the image body”,starting with the object and the state of movement,respectively.The SEL sensory ethnographic im⁃ages will be“textured”or“alienated”after the selection of real things,followed by the use of“possession”or ad⁃justment of the overall shape of the camera movement,giving the images the“body sense”of perceiving external ob⁃jects and transmitting temperature,so as to awaken the senses of the image itself,and ultimately make the audience obtain a comprehensive view through the the“cinematic body”provides the audience with a comprehensive and real⁃istic sensory experience.
出处
《浙江艺术职业学院学报》
2023年第2期43-48,共6页
Journal of Zhejiang Vocational Academy of Art
关键词
身体感
影像身体感
感官人类学
影像民族志
触感电影
bodily sense
image bodily sense
sensory anthropology
video ethnography
tactile cinema
