摘要
石敢当崇拜是中国社会也是羌族地区重要的民俗事象。作为具有神性的审美意象,石敢当在羌族中有口头言说也有物质呈现,有历史遗存也有当代制作。在“5.12”汶川大地震的灾后重建中,石敢当意象成为典范化的羌文化符号得到彰显,频频亮相在城镇村寨及舞台演艺中。着眼多民族中国语境,尔玛人敬奉的石敢当既是其族群表达的审美符号,也是中华民族共同体中多元文化融汇的产物。
Shi-gan-dang(Divine Stone)Worship is an important folk custom in Chinese society and the Qiang region is no exception.As an aesthetic image with divinity,Shi-gan-dang has both oral and material representations that exist in historical relics and contemporary creations among the Qiang people.In the reconstruction after Wenchuan earthquake on May 12th in 2008,the image of Shi-gan-dang became a typical symbol of Qiang culture that is frequently presented in urban areas,villages and stage performances.Within Chinese multi-ethnic context,the divine stone Shi-gan-dang worshipped by Er-ma people(another name of Qiang people)is not only an aesthetic symbol for their ethnic group,but also a product of multicultural integration in Chinese national community.
作者
李祥林
LI Xianglin(Institute of Popular Chinese Culture Studies,Sichuan University,Chengdu,Sichuan 610065,China)
出处
《贵州大学学报（艺术版）》
2023年第5期24-32,共9页
Journal of Guizhou University Art Edition
基金
国家社科基金艺术学重大项目“中华美学与艺术精神的理论与实践研究”(项目编号:16ZD02)
教育部人文社科基金项目“作为文化遗产和民俗艺术的羌戏研究”(项目编号:17YJA850004)。
关键词
石敢当
羌族
民间信仰
文化认同
Shi-gan-dang(Divine Stone)Worship
Qiang ethnic group
folk belief
cultural identity
