摘要
剪瓷雕作为闽南地区传统的建筑装饰艺术,由民间匠师将废弃瓷片通过剪瓷等造型加工,用其对屋脊进行装饰。本文在梳理剪瓷雕的形成及创作理念的基础上,分析部分被遗忘的地区文化与国人文化自信之间的矛盾点,以及鞋类原创设计的需求与大量废弃鞋材的堆积污染之间的平衡方式;基于剪瓷雕变废为宝的创作理念和艺术特征,提出鞋类生产余料转化利用的个性化创新设计新理念,为非物质文化遗产探索新的文化生活土壤与载体形式。
As a traditional architectural decorative art in minnan,cut porcelain carving is used by folk craftsmen to shape and process waste porcelain tiles by cutting porcelain and other methods,and then use them for the decoration of the ridge of the roof.On the basis of the formation and creation concept of cut porcelain carving,this paper ana⁃lyzed the contradiction between the partially neglected regional culture and the national cultural self-confidence,and the balance between the demand for original shoe design and the pollution from the accumulation of a large amount of waste shoe materials.Based on the creative concept and artistic characteristics of the cut porcelain carving,the paper proposed a new concept of personalized and innovative design for the transformation and utilization of the remnants of footwear production,and explored a new way of inheritance for intangible cultural heritage.
作者
黄慧敏
徐海燕
HUANG Huimin;XU Haiyan(College of Textile and Apparel,Quanzhou Normal University,Quanzhou 362000,China)
出处
《中国皮革》
CAS
2023年第10期82-86,90,共6页
China Leather
关键词
非物质文化遗产
闽南剪瓷雕
鞋类设计
个性化
新载体
intangible cultural heritage
Southern Fujian cut porcelain carving
footwear design
personalization
new carrier
