摘要
德里罗在《K氏零度》中延续了其探讨科技与人类存在关系的主题。在该作品中,他批判了人体冷冻这一逾越科技伦理的超人类主义实践,揭露了科技滥用的根源。更为重要的是,德里罗通过对杰弗里等人的刻画消解了因逾越科技伦理而导致的人的物化,强调了人作为伦理主体的责任,体现了其伦理救赎思想。
In Zero K,DeLillo continues to explore the theme of the relationship between technology and human existence.In this work,he criticizes the Transhumanism practice of cryonics which transcends the ethics of technology,and exposes the root causes of technology abuse.More importantly,DeLillo dispels the objectification of human being caused by the transgression of the ethics of science and technology through the portrayal of Geoffrey and other characters,emphasizes the duty of human beings as an ethical subject,and displays his thought of ethical salvation.
作者
吴远青
WU Yuanqing(School of Foreign Languages,Anhui Science and Technology University,Fengyang 233100,China)
出处
《集美大学学报（哲学社会科学版）》
2023年第5期79-85,共7页
Journal of Jimei University：Philosophy and Social Sciences
基金
浙江省哲学社会科学规划项目(23NDJC309YB)
安徽科技学院科研发展基金项目(FZ220161)。
关键词
《K氏零度》
物化
科技
财富
伦理
Zero K
objectification
science and technology
wealth
ethics
