摘要
中国马克思主义文论十分重视文艺家的修养问题,特别是文艺家正确的世界观的培养以及高尚道德情操的培养。这一理论取向与儒家诗学一直关注文道关系以及“配义与道”的文人内在修养路径有很高的契合度。除此之外,两者在谈论文艺家的修养时,也都十分重视经典的研阅以及作家丰富的社会阅历。这种作家论的角度,与西方文论,包括国外的马克思主义文论重点围绕认识能力,特别是哲学思辨能力谈论作家修养的路径形成明显差异,具有比较突出的中国特色。中国古代崇尚“以文化人”及“德治”,因此对包括文艺家在内的承担这一使命的文士的修养提出很高的要求,这成为中国化马克思主义文论重视文艺家修养的文化根源。而看重文化的力量在社会变革与进步中的巨大作用,也成为中国式现代化的一个重要表征。
Chinese Marxist literary theory places great significance on the development of literary artists,specifically the cultivation of a proper worldview and noble moral sentiments.This theoretical approach aligns closely with the Confucian Perspective on Poetry and Education,which has long been concerned with the relationship between literature and belief,as well as the internal path of self-cultivation for intellectuals,known as"harmonizing righteousness with the Tao".Furthermore,when discussing the training of literary artists,both perspectives emphasize the meticulous study of classical works and the writers'extensive social experiences.This viewpoint on the artist's development differs significantly from Western literature,including foreign Marxist literature,which primarily focuses on cognitive abilities and philosophical discursive skills as the basis for artistic cultivation,exhibiting more distinct Chinese characteristics.Historical China advocated for"cultural education for the people"and governance based on virtue,setting high standards for the training of scholars,including literary artists,who undertook this mission.This historical context has laid the cultural foundation for the significance of nurturing literary artists within the framework of Chinese Marxist literature.Moreover,the acknowledgment of culture's transformative and progressive power has become a significant symbol of Chinese modernization.
作者
泓峻
陈梦晖
HONG jun;CHEN Menghui
出处
《济南大学学报（社会科学版）》
CSSCI
2023年第6期34-40,176,共8页
Journal of University of Jinan:Social Science Edition
