摘要
黄宗洛是新中国成立后最早的一批演员之一。他擅长刻画小角色,也乐于丰富小角色,在焦菊隐、老舍、曹禺的影响下主动参与角色创作并成功塑造角色。改革开放后,他参演多部著名电影电视剧,创造经典荧幕角色,用自己独特的表演美学实践,印证了斯坦尼“没有小人物只有小演员”的表演艺术论断,其表演美学思想具有较高的学习研究价值。
Huang Zongluo was among the earliest group of performers after the founding of New China.He was skilled in portraying small characters and willing to enrich them.Under the influence of Jiao Juyin,Lao She and Cao Yu,he actively participated in character creation and successfully shaped the characters.After the reform and opening up,he took part in multiple famous movies and TV dramas,created classic screen characters and confirmed Stanny's performance art theory of“no small characters,but only small actors”with his unique performance aesthetics practice.His performance aesthetics ideas are of higher value of learning and research.
作者
李昀格
LI Yunge(School of Music,Henan University,Kaifeng,Henan 475001,China)
出处
《焦作大学学报》
2023年第4期32-36,共5页
Journal of Jiaozuo University
关键词
黄宗洛
话剧表演
表演美学
Huang Zongluo
drama performance
performance aesthetics
