摘要
唐代绝句大家作品之中,传统选本批评难以解决的争议问题可结合联章体进行论证,以重释唐人七绝大家及其作品的典范意义。在唐人联章七绝诗中,王昌龄的联章七绝艺术造诣极高,而联章体可从另一侧面凸显李白、王昌龄绝句艺术特质之差异;杜甫的联章七绝颇具结构意识,联章体亦是诠释批评史上杜甫绝句争议的一个新视角;白居易的联章七绝数量最多,反映了中唐绝句艺术的创变。三位绝句大家的联章体可谓唐人联章七绝艺术的多元典范。
Among the model quatrain works of great masters in Tang Dynasty,the controversial issues that were difficult to resolve in traditional anthology criticism could be demonstrated by combining with union poetry style.Furthermore,the discussion could reinterpret the exemplary significance of the great master poets’seven-character quatrains in Tang.Wang Changling’s works showed extremely high artistic attainments in union seven-character quatrains of Tang poets,while the union poetry style could highlight the differences in artistic characteristics between Li Bai and Wang Changling’s quatrains from another aspect.Du Fu’s union seven-character quatrains had the consciousness of structure,and the union poetry style was a new perspective to interpret the controversy of his quatrains in the history of criticism.Bai Juyi wrote the largest number of union seven-character quatrains,which reflected the artistic innovation of quatrains in Mid-Tang.Therefore,three great masters’union poetry style should be considered as the diverse paradigm of union seven-character quatrains in Tang Dynasty.
作者
张炳文
ZHANG Bingwen(School of Chinese Language and Literature,Nanjing Xiaozhuang University,Nanjing 211171,China)
出处
《南海学刊》
2023年第6期114-125,共12页
The Journal of South China Sea Studies
基金
国家社会科学基金重大项目(21&ZD254)。
关键词
联章体
七绝
王昌龄
杜甫
白居易
union poetry
seven-character quatrains
Wang Changling
Du Fu
Bai Juyi
