摘要
随着AI生成技术的发展,AI文艺作品已经大量出现在网络世界,并且在数字艺术比赛中获奖。AI生成的作品已经做到了同人类艺术品同台竞技、难以分辨的程度,成为不可忽视的力量。艺术从诞生时就是技艺不分、密切联系的,AI生成技术正是通过与艺术同源的工艺技术的路径,不断模仿人类作品的风格特点,实现了效果上的相近。也正是AI技术的发展,使得分析新技术与人类关系的后人类主义的美学应运而生,探索新技术之下人类艺术的存在意义,以及艺术实践性、反思性,为新的人与技术相结合的后人类美学探索开辟道路。
With the advancement of generative AI technology,Al-generated art and literary works have proliferated online and have even won accolades in digital art competitions.Generative AI works have reached a level where they can compete with human-created art,making it increasingly challenging to distinguish between the two.This has established generative Al as a formidable force in the art world.Throughout the history of art,techniques have always been closely intertwined with artistic expression.Generative AI technology follows a similar path by continuously imitating the stylistic characteristics of human-created works,aiming to achieve a high degree of similarity.The development of AI technology has given rise to a post-humanist aesthetics that examines the relationship between new technologies and human beings.It explores the meaning of existence,the practicality of artistic creation,and the reflexivity of human art in the context of these new technologies.This opens up avenues for the exploration of a new posthuman aesthetics that combines human beings and technology.
作者
段吉方
阎恺祺
DUAN Ji-fang;YAN Kai-qi(School of Chinese Language and Literature,Guangzhou 510006,Guangdong;Research Center for Aesthetic Culture and Critical Theory South China Normal University,Guangzhou 510006,Guangdong)
出处
《厦门大学学报（哲学社会科学版）》
CSSCI
北大核心
2023年第6期54-64,共11页
Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)
基金
国家社会科学基金重大项目“马克思主义经典文艺思想中国化当代化研究”(17ZDA269)。
