摘要
铜火壶是代表河州物质文化的标志性器物,也是多民族共享之“物”,“内”与“外”交融,“形”与“义”贯通,富有温度、寓意洁净与富有的铜火壶成功融入地方之山河风物之中,通过“壶”之器物隐喻投射出多元共生的文化图景,表征了民族文化交融的整体生活形式。与此同时,其社会生命由“脱域”历史语境到“再嵌入”现实生活,完成其物性重塑。
The copper fire pot is a symbolic artifact representing the material culture of Hezhou,and is also a shared“thing”among multiple ethnic groups.Through the fusion of“inside”and“outside”,the integration of“form”and“meaning”,the copper fire pot,which is rich in temperature,meaning cleanliness,and wealth,has successfully integrated into the local landscape.Through the metaphor of the“pot”artifact,it projects a diverse7and7symbiotic cultural landscape,representing the overall form of life of ethnic cultural integration.Meanwhile,its social life has transformed from a“detached”historical context to a“re-embedded”real life,completing its“materiality”remodeling.
作者
牛乐
覃壮航
Niu Le;Qin Zhuang-hang
出处
《青海民族大学学报（社会科学版）》
CSSCI
北大核心
2023年第3期54-61,共8页
Journal of Qinghai Minzu University：Social Sciences
基金
国家社会科学基金重大项目“中华传统伊斯兰建筑遗产文化档案建设与本土化发展研究”(项目编号:20&ZD209)的阶段性研究成果。
关键词
物质文化
物性
生活性
脱域
Material Culture
Materiality
Lifestyle
Dis-embedding
