摘要
意象是用来表达作者主观情思的客观物象。相比于李后主前期词中的奢华生活意象,后期词的意象更为多样,意蕴更为丰厚,艺术价值更高。以公元975年南唐国破李煜被掳汴京为界,对李煜北上以后创作的词作进行分析,系统梳理出后期词的意象类型与主体特征,并探析这些典型意象书写出的亡国之殇、忏悔之意、生命之悲等多重悲剧意识。
Image is an objective object used to express the author's subjective feelings.Compared with images reflecting his indulgence in luxurious life in his early Ci poem,the image in Li Yu's Ci poems in his later period is more diverse with profound meaning and higher artistic value.This paper attempts to analyzes the Ci poems written by Li Yu after he was captured in Bianjing in 975,systematically sorts out the image types and main features of his Ci poems,and explores the multiple tragic consciousness expressed by these typical images,such as the tragedy of being conquered,the tragedy of confession and the tragedy of life.
作者
崔玲
CUI Ling(College of Culture and Media,Western Anhui University,Lu'an 237012,China)
出处
《皖西学院学报》
2023年第6期95-97,134,共4页
Journal of West Anhui University
基金
安徽省教育厅省级质量工程项目(2022jyxm1763)
教育部人文社科青年基金项目(21YJC751020)。
关键词
李煜
后期词
意象
悲剧意识
Li Yu
Ci poems in the later period
images
tragic consciousness
