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“美”的转向与超越:庄子“悲态”美学思想阐微

The Turn and Transcendence of"Beauty":An Aesthetic Interpretation of Zhuangzi's Thought on"Sad State"
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摘要 对“悲态”书写的淋漓尽致以及对待“悲态”的积极态度,共同促成庄子“悲态”美学的厚意深旨。理想人生的实现既以对“悲态”的消解为必然途径,也以对“悲态”的沉淀与升华作为根本凭藉。正视“悲态”并在其中找寻与安置自我,进而消减因自然环境恶化、生态环境破坏、生存环境逼仄以及精神世界不断塌陷与沦丧的苦恶之果,是现代人实现个体和社会价值亟待面对与回应的课题。 The incisive writing of the"sad state"and the positive attitude towards it jointly contribute to the profound meaning of Zhuangzi's"sad state"aesthetics.The realization of ideal life not only depends on the dissolution of the"sad state"as the inevitable way,but also takes the precipitation and sublimation of the"sad state"as the foundation.To realize individual and social values,it is an urgent task for modern people to face and respond to the"sad state"and discover and resettle themselves in it so as to reduce the bitter and evil fruits caused by the deterioration of the natural environment,the destruction of the ecological environment,the narrow living space and the continuous collapse and decline of the spiritual world.
作者 王康宁 薛振宇 Wang Kangning;Xue Zhenyu(Faculty of Education,Shandong Normal University,Jinan 250014,China;General Department,Xinxing Cathay International Group,Beijing 100020,China)
出处 《东方论坛(青岛大学学报)》 2024年第1期43-53,共11页 Eastern Forum(JOURNAL OF QINGDAO UNIVERSITY)
基金 山东省社会科学规划研究项目“道家儿童观及其教育转型研究”(23CJYJ34)的阶段性成果。
关键词 庄子 “悲态” 美学 Zhuangzi "sad state" aesthetics beauty
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