摘要
本论文系统梳理塔尔图-莫斯科学派戏剧符号学主要代表人物的相关理论著述,从戏剧符号之于其他艺术符号、舞台语言系统、舞台交际系统、舞台时间、舞台空间等方面入手,全面探析俄罗斯戏剧符号学的主要研究方法。综览该学派戏剧符号学研究,我们可以清晰地看到其跨学科性、跨文化性、溯源性和二元对立性等基本特征,以及从单角度到多角度、从局部到整体、从戏剧科学到其他现代科学、从文学到文化的发展路径。
This paper systematically examines the theories of the main representatives of Tartu-Moscow School of theatrical semiotics.The main methods of research of theatrical semiotics among Russian circles are comprehensively analyzed.The relations between theatrical signs and other artistic signs,the system of stage language,the system of stage communication,stage time,stage space,etc.are revealed.Based on the analysis,it is possible to discover the main research characteristics of theatrical semiotics of this school,such as interdisciplinarity,cross-culturality,traceability and binary,as well as the path of its development from unilateral to multilateral,from local to general,from dramaturgy to other modern sciences and from literaturetoculture.
出处
《中国俄语教学》
CSSCI
2023年第4期45-56,共12页
Russian in China
基金
国家社会科学基金重大项目“多维视域下的俄罗斯文化符号学研究”子课题“艺术视域篇”(21&ZD276)的阶段性成果
中央高校基本科研业务费专项资金资助(2021NTSS23)。
关键词
塔尔图-莫斯科学派
戏剧符号学
研究特色
Tartu-Moscow School of semiotics
theatrical semiotics
researchcharacteristics
