摘要
在数千年中国漆工艺传统文化的演化历程中,文化与器物的互渗现象尤为突出。绚丽多彩的战国漆器是我国悠久的漆器工艺史上的一朵奇葩。楚漆奁作为战国时期日用梳妆器具的承载器物,其形制、纹饰及铭文积淀着深刻的文化内涵。论文寻绎战国楚漆奁日用器具的历史,探讨楚漆奁的发生与演化、形态与特征;分析楚式妆奁这一典型的“有意味的造物形式”的造物艺术所反映的文化现象;主要从设计之用、设计之理、设计之法三个层面探索楚漆奁造物艺术的功能之境、审美之境、伦理之境。论文首先采用量化分析法解读楚漆奁形态,获得对楚漆奁相对客观、可靠、科学的数理依据。其次,运用二重证据法研读楚漆奁实物材料与文本,探寻楚漆奁设计之理,即巧循自然资源与法则、巧顺楚人审美情感。最后,从图像学的角度揭示楚漆奁图式的情感表征与生命意识。楚漆奁造物艺术不仅蕴含着大量的风俗与信仰,还展现了楚人特有的巫之玄想、道之壮阔的文化特质和深刻精神内涵。
In the evolution of traditional Chinese lacquer culture for thousands of years,the interinfiltration phenomenon between culture and objects is particularly prominent.The colorful lacquerware of the Warring States period is a wonder-ful work in the long history of lacquerware in our country.As a carrier of daily dressing utensils in the Warring States period,Chu lacquer dovety has profound cultural connotations in its shape,decoration and inscriptions.Firstly,the pa-per uses the quantitative analysis method to interpret the shape of the Chu lacquer wedding,and obtains the relatively objective,reliable and scientific mathematical basis for the Chu lacquer wedding.Secondly,using the double evidence method to study the physical materials and texts of the Chu lacquer wedding,to explore the principle of the design of the Chu lacquer wedding,that is,following the natural resources and laws,conforming to the aesthetic feelings of the Chu people.Finally,from the perspective of image science,it reveals the emotion representation and life consciousness of Chu's wedding pattern.Chu lacquer dowry not only contains a large number of customs and beliefs,but also shows the unique magic fantasy,the magnificent cultural characteristics and profound spiritual connotation.
作者
杨先艺
杨四宝
YANG Xian-yi;YANG Si-bao(School of Art and Design,Wuhan University of Technology,Wuhan,Hubei 430070)
出处
《艺术百家》
CSSCI
北大核心
2023年第6期145-155,共11页
Hundred Schools In Arts
基金
2018年度国家社科基金艺术学项目“中国古代造物设计思想在当代中国智慧之应用研究”(项目编号:18BG135)阶段性成果之一。
关键词
楚漆奁
造物范式
生命符号
审美意识
自由精神
Chu Lacquer Dowry
Creation Paradigm
Life Symbol
Aesthetic Consciousness
Free Spirit
