摘要
在文旅产业数字化发展趋势下,文旅空间具备了物质性、媒介性、社会性等特征,数字技术和数字媒介正在深度作用于文旅融合的发展逻辑中。在三元空间论的框架下,数字文旅的拓扑结构可通过空间实践的感知耦合、空间表象的远方再造和表征性空间的意义融合三重属性进行解读。通过选取数字导览、文旅游戏、数字沉浸展和文旅视听作为典型的数字文旅业态进行分析,可将其文化生产机制分为空间实践和文化折叠两种拓扑类型。以拓扑逻辑审视数字文旅的空间实践,文旅项目可通过以数字化关联衔接双重坐标,以跨时空耦合重塑远方边界,以动态叙事体促进意义联动来推动数字化业态的创新发展。
In the context of the digitalization development trend of the cultural tourism,the cultural tourism spaces have the characteristics of materiality,mediacy,and sociality.Digital technologies and media profoundly impact the development logic of integration of culture and tourism.The topological structure of digital cultural tourism can be interpreted through three attributes:the perceptual coupling of spatial practices,the remote reconstitution of spatial representations,and the meaning integration of representational spaces.As a typical digital cultural tourism format,digital guidance,tourism games,immersive digital exhibitions,and audiovisual experiences exemplify two typical types of cultural topology in digital cultural tourism,namely spatial practice and cultural folding.Examining spatial practices of digital cultural tourism through topological logic,cultural tourism projects can be linked by digitalization.To reshape the remote boundary with crosstime-space coupling and to promote the innovative development of digital formats with dynamic narratives to promote the linkage of meaning.
出处
《北京社会科学》
CSSCI
北大核心
2024年第2期120-128,共9页
Social Sciences of Beijing
基金
北京市社会科学基金青年项目(23XCC013)——北京文化故事的数字文创设计与IP价值开发研究。
关键词
数字文旅
文化拓扑学
空间生产
文旅产业
文旅融合
digital cultural tourism
cultural topology
space production
culture and tourism industry
cultural and tourism integration
