摘要
神话是人类群体的共同记忆,其所蕴含的多元时间观念也成为人类艺术创作的重要依托,亦成为神话延续至当下的证明。在不同类型的艺术中,神话的时间表现存在差别。在绘画、雕塑、舞蹈等诉诸人类视觉的艺术中,时间以凝滞的形态,传达着人类的永恒想象;在以神话史诗为代表的传统口传神话、以音频分享平台为代表的新口传神话和音乐艺术中,时间以延宕的形态,彰显神话的流动特性;在中西从古至今的小说叙事艺术中,时间则以循环往复的外观,表现出人类持续地返归神话的努力。传统的神话时间在艺术实践中与人类的现代心灵实现了神奇的耦合,一个将要被遗忘的、神秘而博大的神话世界开始重新回到人类的生活中,人类必然能够从中获得对神话时间的具象化认知,以及对艺术创作真正价值的深刻认同。
Myths are the common memory of human groups,and the diverse concepts of time contained in myths have also become an important basis for human artistic creation and proof of the continuation of myths to the present.In different types of art,there are differences in the temporal expression of myths.In art that appeals to human vision,such as painting,sculpture,and dance,time conveys the eternal imagination of humanity in a stagnant form.In traditional oral myths represented by mythological epics,new oral myths represented by audio sharing platforms,and music art,time manifests the flowing characteristics of myths in a delayed form.In the narrative art of Chinese and Western novels from ancient times to the present,mythological time presents a cyclic appearance,reflecting the continuous efforts of humanity to return to mythology.The traditional mythological time has achieved a magical coupling with the modern human soul in artistic practice,and a mysterious and vast mythological world that is about to be forgotten has begun to return to human life.Humanity will inevitably gain a concrete understanding of mythological time and a profound recognition of the true value of artistic creation from it.
出处
《中国文艺评论》
CSSCI
2024年第1期75-85,I0004,共12页
China Literature and Art Criticism
基金
2022年度国家社科基金后期资助一般项目“中国礼仪文化与小说叙事”(项目批准号:22FZWB068)的阶段性成果。
关键词
神话
叙事
艺术
时间
myth
narrative
artistic creation
time
