摘要
曹文轩提出以“美”为核心尺度的文学观,并在这一观念指引下创作出一系列富于古典诗意的作品,塑造了一批颇具典型意义的人物形象,创建出一个充满自然美、人情美的“油麻地”世界。他在20世纪末的文学语境中高举“美”的旗帜,以“美”来救赎人心,有其时代意义和文化意义。同时,小说也呈现出情节重复、不合逻辑、人物形象单一固化等问题,反映出失“真”的“美”的力量的有限性,以及因精神资源不足导致的自我重复、思想乏力的困境。
Cao Wenxuan put forward a literary concept with"beauty"as the core yardstick,and under the guidance of this concept,he created a series of classical poetic works and many typical characters,and created a"Yau Ma Tei"world full of natural beauty and hu‐man affection.He held high the banner of"beauty"in the literary context of the late 20th century and used"beauty"to redeem people's hearts,which has its historical and cultural significance.At the same time,his novels also present problems such as plot repetition,il‐logicality,and single fixed character images,reflecting the limited power of"beauty"without"truth",as well as the dilemma of self-repetition and ideological weakness caused by insufficient spiritual resources.
作者
张继荣
ZHANG Jirong(School of Literature and Media,Huizhou University,Huizhou 516007,Guangdong,China)
出处
《惠州学院学报》
2024年第1期86-91,共6页
Journal of Huizhou University
基金
惠州学院教授、博士科研启动项目(2019JB011)。
关键词
曹文轩
美学乌托邦
美学意义
创作困境
Cao Wenxuan
Aesthetic Utopia
aesthetic significance
creative dilemma
