摘要
清代闽台地方志对崇(启)圣祠用乐记载不一。本文将结合文献记载与活态传承,澄清史实,即明清时期的崇(启)圣祠祭祀,乐用鼓吹。清代闽台地方志对崇(启)圣祠用乐的不同记载,看似自相矛盾,实为同一情况的不同描述。究其缘由,此种矛盾现象是撰述语境与礼乐观念局限所致。
The local chronicles of the Min-Tai district during the Qing Dynasty present varied accounts of the sacrificial music of Chong(Qi)Sheng Temple.This study seeks to reconcile these apparent disparities through a synthesis of historical literature and oral traditions,aiming to elucidate the historical verities and capture the core of the practice.In the Ming and Qing dynasties,drumming music was the prevalent accompaniment for rituals at the Chong Sheng Temple(formerly known as Qi Sheng Temple),as commissioned by the local authorities.The divergent descriptions of the temple's sacrificial music within the Min-Tai district's chronicles appear contradictory but may,in fact,represent differing perspectives on a singular historical reality.This analysis proposes that the discrepancies stem from the contextual limitations of the chroniclers and varying interpretations of ritualistic and musical principles of the time.
出处
《中国音乐》
CSSCI
北大核心
2024年第1期120-126,共7页
Chinese Music
基金
2021年度国家社科艺术学一般项目“清代闽台地方志中的音乐史料整理与研究”(项目编号:21BD063)的阶段成果。
关键词
地方志
崇(启)圣祠用乐
鼓吹
撰述语境
礼乐观念
Local Chronicles
Chong(Qi)Sheng Temple
Sacrificial Music
Drumming Music
Historical Contextualization
Ritual and Music Concepts
