摘要
雕塑是一种以静止媒介为载体的立体造型,具有现实的可感,人们常把它比作凝固的音乐、凝练的诗篇。雕塑艺术中的“动”与“静”可以视为一枚钱币的正、反两面,二者虽是不同的概念,但却相辅相成。本文将从雕塑创作中“动”与“静”的对立或统一、被动或主动、空间或时间三个辩证关系切入,结合美学追求进行三位一体的辩证分析,以期在对立中寻找平衡,为将来的艺术创作更好地吸纳理论、理清思路。
Sculpture is a three-dimensional shape using a static medium as a carrier.It is realistic and perceptible.People often compare it to solidifi ed music and condensed poetry."dynamic"and"quietness"in sculpture art can be regarded as the positive and negative sides of the same coin.Although they are diff erent concepts,they complement each other.This article will start from the three dialectical relationships of"dynamic"and"quietness"in sculpture creation:opposition or unity,passivity or initiative,space or time,and conduct a trinity dialectical analysis combined with aesthetic pursuits,to fi nd a balance in the opposition and provide guidance for the fut ure.Artistic creation can better absorb theories and clarify ideas.
作者
林熳玄
邵长宗
Lin Manxuan;Shao Changzong(Jingdezhen Ceramics University)
出处
《景德镇陶瓷》
2023年第6期36-38,共3页
Jingdezhen Ceramics
关键词
“动”与“静”
当代雕塑
动态
静态
"Dynamic"and"Quietness"
Contemporary Sculpture
Dynamic
Static
