摘要
对晏殊及其词,现有研究常关注其“富贵闲雅”或“圆融理性”的单一特征,实际上融合晏殊词基于富贵生活的华艳之气、源于词人诗心的清冷之感、以及与所写之境的离而未远,可见其词贯穿始终的多重疏离感。晏殊词使用明媚色彩和意象的冷色周边来消解华艳之气,选取程度限制和意象临界来中和清冷之感,再以动态的散点透视和画面焦点的拓展深化来疏离于所写之境,晏殊既执著追求又遗世独立的原则性主体形象深深刻于《珠玉词》的疏离感之中。
The existing research on Yan Shu and his Ci poetries often focuses on the single feature of his“rich and elegant leisure”or“mellow and rational”.In fact,Yan Shu’s Ci poetries based on the air of splendor from rich life,the sense of coldness from the poet’s poetic heart,and the distance from the artistic conception depicted,can be explored in his“Zhu Yu Ci”throughout the multiple feelings of alienation.Yan Shu’s Ci poetries use the cool color vocabulary to dispel the the air of splendor,se⁃lect the degree limit and the image criticality to neutralize the feeling of coolness,and then use the dy⁃namic scatter perspective and the expansion of the picture focus to deepen the alienation from the ar⁃tistic conception depicted.Yan Shu’s principled subject image of both persistent pursuit and indepen⁃dence is deeply rooted in the sense of alienation in“Zhu Yu Ci”.
作者
王澜淼
WANG Lanmiao(Advanced Institute for Confucian Studies,Shandong University,Jinan 250100,China)
出处
《合肥学院学报（综合版）》
2024年第1期47-52,共6页
Journal of Hefei University：Comprehensive ED
关键词
晏殊
《珠玉词》
疏离
华艳之气
清冷之感
Yan Shu
“Zhu Yu Ci”
alienation
air of splendor
feeling of coolness
