摘要
在晚明消费社会中,士人阶层在面临商人、庶民仿效的压力时,往往通过塑造消费品味来区隔雅俗。然而“发明趣味”还有另一种方式,即以占有之物为资源,把消费转化成创造。苏州寒山别业是一座声名显赫的隐逸园林,别业的两代主人以占有的美学奢侈品(知名法帖的帖石、稀见的宋版书、皇宫大内的本草秘籍)为基础,为服务多重目的,创造出了新书籍。这些“再造之书”不仅向世人标榜了古籍“拥有者”的文化地位,更展现出其作为“创造者”的艺术品味。寒山主人们的造书实践可以帮助我们重新理解“创作”——未必要“无中生有”,可以是“推陈出新”。
In the consumer society of the late Ming Dynasty,the elite class,when faced with the pressure from the imitation by merchants and commoners,tended to differentiate between the elegance and the vulgarity by shaping consumer taste.However,they had another way of"inventing taste",that is,using their possessions as resources to transform consumption into creation.The two generations of owners of Hanshan Villa(寒山别业)in Suzhou,a prestigious secluded garden,created new books based on the aesthetic luxuries they possessed(such as the original inscription stones of famous calligraphy models,rare Song-edition books,and rare books of materia medica from the imperial palace)to serve multiple purposes.These"recreated books"not only boast the cultural status of the"owner"of ancient books to the world,but also show their artistic taste as"creators".The practice of creating books by the owners of Hanshan Villa can help us to re-understand what"creation"is-it can not necessarily be"bringing forth something from nothing",but can possibly be"bringing forth the new from the old".
作者
李晓愚
Li Xiaoyu(School of Journalism and Communication,Nanjing University,Nanjing 210093,China)
出处
《北京大学学报（哲学社会科学版）》
CSSCI
北大核心
2024年第2期75-84,共10页
Journal of Peking University(Philosophy and Social Sciences)
基金
国家社科基金“冷门绝学”项目“海外藏中国古版画的整理与研究”(19VJX171)阶段性成果。
关键词
寒山别业
《停云馆帖》
小宛堂《玉台新咏》
《金石昆虫草木状》
古籍艺术史
Hanshan Villa(寒山别业),The Calligraphy Model of Tingyun Pavilion(《停云馆帖》)
Xiaowantang Edition of New Ode to the Jade Terrace(小宛堂《玉台新咏》)
A Picture Book of Copperwares,Stone Tablets,Insects and Plants(《金石昆虫草木状》)
art history of ancient books
