摘要
《华阳国志》是两晋时期常璩所著的一部带有浓郁地方色彩的史志,书中不仅记录了上百个古代人物的事迹,而且还详细描述了当地少数民族演绎歌谣、歌舞、器乐等的真实情景。从书名“华阳国”一词来看,该书所著录的是封建中央王朝之外的少数民族地区的史志,常璩依托当地民俗民风和人们的宗教观念,对一些音乐史料进行了考证,因此《华阳国志》具有独特的文化价值,对中国少数民族音乐发展产生了一定的影响。
The Chronicles of Huayang is a renowned regional historical record written by the prominent scholar Chang Qu during the Jin Dynasty.The book not only documents the deeds of hundreds of ancient figures but also vividly describes the authentic scenes of local ethnic minorities performing folk songs,dances,and instrumental music.From the tile“Hua Yang Kingdom”,it can be inferred that Chang Qu recorded the history of ethnic minority regions outside the feudal central kingdom.The Chronicles of Huayang relied on the local folk customs and religious concepts,beliefs to authenticate some historical musical materials,thus possessing unique cultural value and exerting certain influence on the development of music among Chinese ethnic minorities.
出处
《音乐文化研究》
2024年第1期107-114,共8页
Music Culture Studies
基金
2019年湖南省哲学社会科学基金项目“20世纪50年代以来土家族音乐的知识谱系研究”(项目编号:19YBA153)阶段性成果。
关键词
常璩
《华阳国志》
音乐观念
歌舞
考辨
Constant Qu
Chronicles of Huayang
Music Concept
song and dance
textual Research and debate
