摘要
在全面继承诗骚以来中国诗歌抒情言志传统的基础上,李白把初盛唐抒情言志诗歌推向令后人望尘莫及的顶点。无论是题材内容的选择处理,还是体裁形式的继承创造,抑或是强烈的主观色彩、丰富的想象力、变化莫测的结构等等,都呈现出在其他时代、其他诗人的诗歌作品中难以模仿复制的“顶点”状态,集中展现了李白的天才诗艺与恢弘壮阔的盛唐气象。李白诗歌的顶点抒情,依托于持续上升、臻于顶峰的伟大时代,厚植于自由繁荣的思想文化沃土,是初盛唐以来持续走高的诗歌抒情性的终端显示,更是诗骚之后、汉魏已还的传统抒情诗艺术的最后总结。
On the basis of fully inheriting the lyric tradition in Chinese poems since the Shi Sao,Li Bai pushed the lyricism,which reaching a peak of the poetic field in the Early Tang and High Tang Dynasties,to a apex that descendants can’t look up to.Whether it is the selection and processing of subject matter and content,or the inheritance and creation of genre form,or the strong subjectivity,rich imagination,unpredictable structure,etc.,all present a vertex state,which is difficult to imitate and replicate in poetic works of other times and other poets,concentratedly demonstrates the unattainable poetic art of Li Bai and the magnificence of the literary and artistic features in the High Tang Dynasty.The apex lyricism of Li Bai’s poems is based on the great era of continuous rise and reaching a peak,and is deeply rooted in the foundation of free and prosperous ideology and culture,is the terminal display of the lyricism of poems that has continued to rise since the Early Tang and High Tang Dynasties,and is also the final summary of the art of traditional lyric poems that since the Shi Sao and the Han and Wei Dynasties.
出处
《河北学刊》
CSSCI
北大核心
2024年第3期117-126,共10页
Hebei Academic Journal
基金
2015年度国家社会科学基金一般项目“中国诗歌抒情与叙事关系研究”(15BZW050)。
