摘要
清代绣挽是满汉民族服饰文化交融互鉴的产物,其人物纹样独具特色,绣工精湛。通过对苏州大学博物馆馆藏清代绣挽实物进行研究考证,以及相关文献资料的搜集分析,将绣挽中人物纹样题材划分为神话传说、才子佳人、仕女生活与农耕生活,并解读其语义、艺术特征、文化意趣与情感诉求。研究表明,绣挽人物纹样生动质朴地展现了清代人物的着装、生活场景以及人文趣味,表达着古代女子在封建思想桎梏下的自我情感。
The Qing Dynasty embroidered loops is a product of the integration and mutual learning of Manchu and Han ethnic costume culture.Its character patterns are unique and the embroidery is exquisite.Through the research and verification of Qing Dynasty embroidered loop objects in the collection of Suzhou University Museum,as well as the collection and analysis of relevant literature and materials,the themes of embroidered loops were divided into mythological legends,talented women and beauties,life of ladies and farmers,and the semantic,artistic characteristics,cultural interests,and emotional demands of the character patterns in embroidered loops were carefully interpreted.Research shows that the patterns of embroidered loops elegantly portray the attire,living scenes,and humanistic tastes of Qing Dynasty characters,express the self emotions of ancient women under the shackles of feudal traditional thinking.
作者
张婕
李正
ZHANG Jie;LI Zheng(School of Art,Soochow University,Suzhou 215123,China)
出处
《服装学报》
CAS
北大核心
2024年第2期154-159,共6页
Journal of Clothing Research
基金
国家社会科学基金艺术学一般项目(21BG124)。
关键词
清代
绣挽
人物纹样
图案题材
语义解读
艺术特征
Qing Dynasty
embroidered loops
character patterns
pattern theme
semantic interpretation
artistic characteristics
