摘要
敦煌石窟壁画中器物图像众多,从种类看有乐器、法器和其他物品,从其所在语境看又有天乐和俗乐的属性之分。根据皮尔斯的符号分类理论,将其分为象似符号、指示符号和象征符号。器物文化符号具有一定的指代意义和象征意义,能够传达和阐述壁画语境中的文化记忆,在对敦煌石窟壁画乐舞的创造性转化与创新性发展中,可作为儒、道、释文化与民族文化的表征启发当代舞蹈创作。敦煌题材相关的舞蹈创作理应拓宽文化符号的挖掘向度,对壁画中的器物文化符号进行解码研究,在创作中着力于建构典型符号、构建文化身份、彰显人文精神。
There are many images of implement in the Dunhuang Grottoes murals,which include musical instruments,ritual instruments and other objects in terms of their types,and the attributes of heavenly music and vulgar music in terms of their contexts.According to Peirce's theory of symbol classification,it can be divided into iconographic sign,indicative sign and symbolic sign.Cultural symbols of implements have certain signification and symbolic significance,which can convey and explain cultural memory in the context of the murals.In the creative transformation and innovative development of the music and dance of the Dunhuang Grottoes murals,they can be used as the representation of Confucianism,Taoism,Buddhism and national culture to inspire contemporary dance creation.The dance creation related to Dunhuang theme should broaden the mining direction of cultural symbols,decode the cultural symbols of the artifacts in the murals,and focus on the construction of typical symbols,cultural identity and humanistic spirit in the creation.
作者
李婷婷
孙周晖
LI Ting-ting;SUN Zhou-hui(School of Dance,Northwest Minzu University,Lanzhou 730030,China;School of Humanities and Management,Shandong Xiandai University,Jinan 250104,China)
出处
《兰州文理学院学报（社会科学版）》
2024年第3期121-128,共8页
Journal of Lanzhou University of Arts and Science(Social Science Edition)
基金
西北民族大学2022年中央高校紧缺急需学科科研能力提升项目“多元文化符号在敦煌道具舞蹈中的运用”(31920220056)。
关键词
敦煌石窟艺术
器物
敦煌舞蹈
文化符号
Dunhuang grottoes art
implement
Dunhuang dance
cultural symbol
