摘要
曹丕“不朽论”所思所言的核心问题,是面临必死的预期,赋家创作对必死命运的拯救而言有何价值。曹丕就此问题展开了他关于必死和永生的价值之思,以及赋文写作何以是对赋家必死命运的审美救赎的思考。曹丕同时探讨了不朽对于赋家而言的有效性问题,他将赋文话语阐释为由人类社会公共话语和作者一己私语共构的复调性文学话语。曹丕的文“不朽论”开启了赋的死亡美学思想之路,促进了赋的死亡主题在创作实践活动中的丰富与深化。
Cao Pi's thought of"Immortal"mainly concerned the issue that,facing the anticipation of death,what is the value of Fu Writers'literary creation to save the fate.Cao Pi spread his thinking on the value of death and immortality,as well as how could Fu became the aesthetic redemption of its writers'fate.He also discussed the effectiveness of this thought.He interpreted the discourse of Fu as a polyphonic literary discourse,which was composed by the public discourse of human society and the author's own whispers.This thought created the path to the consideration on death aesthetic ideology of Fu,and promoted the enrichment and deepening of death theme in the creative practice activities of Fu.
出处
《中华文化论坛》
北大核心
2024年第2期171-179,共9页
Journal of Chinese Culture
基金
国家社科基金西部项目“中国赋美学通史”(项目编号:18XZW001)阶段性成果。
关键词
曹丕
“文章不朽论”
赋家
审美救赎
Cao Pi
"Literature is immortal"
Fu Writers
Aesthetic Redemption
