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“父亲”形象的互文书写——《王蒙自传》与《活动变人形》对照解读

Intertextual Writing of the Image of“Father”:a Comparative Interpretation of Wang Meng’s Autobiography and Activity Transforms into Human Form
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摘要 《王蒙自传》与《活动变人形》中的“父亲”形象,构成了显著的互文现象。作为两种创作路向,自传和小说相互提供由文外看文内的参照性史料。《王蒙自传》为《活动变人形》“父亲”形象倪吾诚的虚构,提供了政治与心理动机的说明;以《王蒙自传》父亲王锦第为原型,在倪吾诚形象的生成中,见出作家艺术表达中重抒情想象的情感审美,重政治意义的逻辑起点和真诚勇敢的心理线索;受小说人物影响,王锦第与倪吾诚同构,因而在史实、史评、史思三个层面偏离了传记人物的全面性、客观性和思想性。由此可见,关注传记与其他文类编织的史料网络,可弥补文学史偏于虚构文学而致的结构性缺失,赋予文学研究以历史维度和思想质感。 The image of“father”in Wang Meng Autobiography and Activity Transforms into Human Form constitutes an obvious intertextual phenomenon.As two creative paths,autobiography and novels provide each other with reference historical materials from outside the text to inside the text.Wang Meng Autobiography provides a political and psychological explanation for the fictional portrayal of Ni Wucheng,the“father”character in Activity Transforms into a Human Form.Taking Wang Jindi,the father in Wang Meng Autobiography as the prototype in generating Ni Wucheng’s image,we can see the emotional aesthetics that emphasizes emotional imagination,the logical starting point that emphasizes political significance,and the psychological clues of sincerity and bravery in the author’s artistic expression.Influenced by the characters in the novel,Wang Jindi and Ni Wucheng are almost identical,deviating from the comprehensiveness,objectivity,and thoughtfulness of biographical characters in terms of historical facts,historical commentary,and historical contemplation.Therefore,paying attention to the network of historical materials weaved by biographies and other literary genres can make up for the structural defects caused by the bias of literary history towards fiction,and endow literary research with a historical dimension and a sense of thought.
作者 黄亚清 HUANG Yaqing
出处 《宁波大学学报(人文科学版)》 2024年第3期71-82,共12页 Journal of Ningbo University:Liberal Arts Edition
基金 国家社会科学基金一般项目“新编历史剧本事资料整理与意义生成研究(1942—1966)”(22BZW158)。
关键词 《王蒙自传》 《活动变人形》 “父亲”形象 家族史 互文 Activity Transforms into Human Form Wang Meng’s Autobiography the image of“Father” family history intertextual context
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