摘要
目前,学界对《克拉拉与太阳》的讨论主要集中在机器人叙事、科技伦理、医学人文学等角度的文学阐释,而对小说的视觉元素和审美来源关注较少。本文将从语象叙事的视角出发,探讨绘画手段在该小说视觉图景建构中的运用,包括立体主义风格的“碎片化”构图、霍普式人物形象再现以及光影的隐喻性表达。视觉艺术形态不仅丰富了小说的审美意趣和艺术表现力,还承载了石黑一雄对科技时代人类生存境遇和精神生活的现实关切。
Currently,academic discussions on Klara and the Sun mainly focus on the literary interpretation of robot narratives,technological ethics,medical humanities,and other perspectives,while less attention has been paid to the visual elements and aesthetic sources of the novel.From the perspective of ekphrasis,this paper explores the application of painting techniques in the construction of the visual landscape of this novel,including the“fragmented”composition in Cubism style,the reproduction of Hopperesque character images,and the metaphorical expression of light and shadow.These visual art forms not only enrich the aesthetic appeal and artistic expressiveness of the novel,but also carry Kazuo Ishiguro's real concerns about human conditions and spiritual life in the age of technology.
作者
毛芊
MAO Qian(School of Foreign Languages,Nanchang Normal University,Nanchang 330032,China)
出处
《南昌师范学院学报》
2024年第3期61-65,共5页
Journal of Nanchang Normal University
基金
南昌师范学院2022年校级科研项目“石黑一雄作品的语图叙事研究”(22XJSK01)。
