摘要
为研究并推动中国电影的发展,应合日益频繁的中外电影交流,以及文化强国战略对中国电影走出去的要求,比较电影学的学科建构势在必行。作为一门新兴学科,比较电影学应向已发展成熟的比较文学学科汲取成功经验,但同时也要尊重电影研究的本体特色。基于宏观系统、目标与原则,文章从比较电影学的学科定义、建构意义、研究原则与研究路径等方面着手,详细论证比较电影学作为一门独立学科建设的可行性。
In order to cope with the increasingly frequent exchanges between Chinese and foreign films,as well as the devel⁃opmental requirements of the cultural power strategy for Chinese films to go global,the construction of comparative filmology as a discipline is imperative.As an emerging discipline,comparative filmology should draw on the successful experiences of the more developed discipline of comparative literature,but it should also respect the unique characteristics of film studies.Based on macro systems,goals,and principles,this paper starts with the disciplinary definition of comparative filmology,the significance of its construction,research principles,and research approaches,and elaborately demonstrates the feasibility of constructing comparative filmology as an independent discipline.
作者
丁亚平
闫明
DING Yaping;YAN Ming
出处
《上海师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2024年第4期73-83,共11页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
关键词
比较电影学
电影性
主体间性
宏观系统
数字实证
comparative filmology
filmicity
inter-subjectivity
macro system
digital verification
