摘要
人类艺术最显眼的是建筑,它让公共空间注满意义,成为一个时代的哲学和文化精神的有力体现,它是城市之所以为城市的理由。对艺术产业的研究,必须包括对城市空间艺术特点的追问。可以看到,越是到后现代建筑,墙体越有可能分化成两层,外层“表皮”对城市空间艺术化起了重大作用。由于当代科技文化的发展,城市设计者与建筑学家可以比较自由地发挥艺术创作精神。在后现代符号美学推动下,城市空间的塑形高度个性化,由此可以比较灵活地解决民族风格与雅俗融合这两个元设计大难题。
Architecture,often viewed as the most conspicuous human art,adorns public spaces with meaning and embodies the philosophical and cultural spirit of its era.It is the essence of what makes a city unique.Therefore,the study of the art industry must include an exploration of the artistic attributes of urban space.In postmodern architecture,it can be observed that walls increasingly differentiate into two layers,with the outer“skin”playing a significant role in the artification of urban spaces.Due to the advancements in contemporary technology and culture,urban designers and architects now have greater freedom to express their artistic creativity.Guided by postmodern semiotic aesthetics,the shaping of urban spaces has become highly individualized.This individualization allows for a more flexible approach to addressing the two major metadesign challenges:incorporating ethnic style and integrating high and low culture.
作者
赵毅衡
ZHAO Yiheng(Institute of Semiotics&Media Studies,Sichuan University,Chengdu 610065,China)
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2024年第5期132-142,共11页
Journal of Shanghai University(Social Sciences Edition)
关键词
城市空间
艺术意义
建筑美学
玻璃幕墙
urban space
artistic significance
architectural aesthetics
glass curtain wall
