摘要
宋元存在陶瓷、漆器、金银器等不同工艺门类相互融汇现象,“漆盏瓷化”便为该现象的典型。本文以盏类器具形式互鉴表征与动因为切入点,探索该现象所蕴含的时代特质,尤其将工艺同构的技术现象引向社会层面,再剖析“漆盏瓷化”的文化语境,阐释综合比较视野下传统造物文化基因由机体到生态的演化图式。
In the Song and Yuan:dynasties,the lintegration of various art categories and fields was widely developed,the"porcelainization of lacquer cups"is a typical example.This paper taked as its point of entry the characterization and motivation of the inter-referencing in the forms of instruments,explored the zeitgeist of the phenomenon.Especially from the social perspective of craft isomorphism,we analyze the cultural context of the"porcelainization of lacquer cups",explained the evolutionary patterns of traditional creation and cultural genes from organism to ecology in a comprehensive and comparative perspective.
出处
《创意与设计》
2024年第5期80-88,共9页
Creation and Design
基金
国家社会科学基金艺术学一般项目(21BG110)。
关键词
宋元
漆盏
瓷盏
同构
Song and Yuan dynasties
lacquer cups
porcelain cups
assimilation DOl:10.3969/J.ISSN.1674—4187.2024.05.010
