摘要
陶瓷装饰的语言,不是局限于其表面的粉装彩饰,而是通过造型与装饰的协调统一来改变或者美化陶瓷作品。装饰包括造型及装饰结构和构图,与陶艺的材料、工艺以及烧成等有机结合可以称作为陶艺的装饰艺术;与陶绘的青花、粉彩、颜色釉等表现出来的装饰形式可以称作为陶绘的装饰手法。两者截然不同,但是最终的目的确实是一样的——美化作品。关于陶瓷方面的研究文献可谓汗牛充栋,对于陶瓷制作的进程等各方面也有翔实的记载。然而,细心的人们却发现,出现于元代,在明代比较兴盛,进入清朝后便开始衰弱的“珐华彩”技艺却鲜有记录。
The decorative language of ceramics is not limited to the powder decoration on its surface, but to change or beautify the ceramic works through the coordination and unification of modeling and decoration. Decoration includes modeling and decorative structure and composition, which can be called the decorative art of pottery by organic combination with ceramic materials, techniques and sintering. The decorative forms shown in blue and white, pastel and color glaze of pottery painting can be called decorative techniques of pottery painting. The two are very different, but the ultimate goal is the same——to beautify the work.The research literature on ceramics is abundant, and there are also detailed records on the process of ceramic production. However, careful people have found that there are few records of "Fa Hua Cai" skills that appeared in the Yuan Dynasty, flourished in the Ming Dynasty, and began to decline after entering the Qing Dynasty.
作者
郝丰男
Hao Fengnan(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333403,China)
出处
《陶瓷》
CAS
2024年第10期127-128,195,共3页
Ceramics
关键词
陶瓷
装饰
珐华彩
Ceramic
Ornament
Pastel
