摘要
《黑暗传》通常被认为是一部关于创世的汉族神话史诗,当下,它以两种文本样态留存于世:其一是唱本,即书面文本,其唱词书写与指示性符号形成了较为固定的格式形态;其二是歌唱表演文本,即口头文本,包括民俗活动中的原生表演和“非遗”语境下的舞台化表演。《黑暗传》唱本本质上是为歌手的歌唱表演服务的,上述两种文本同型同构,具有互文性关系。对它进行的“唱本文献学”研究从唱本走向歌唱表演,融合了文献学、民族音乐学、民俗学等学科的理念,对文献学而言既是学科内部的精细化研究,又是向外的跨学科研究。
The Legend of Darkness is usually considered a mythological epic about the creation of the Han ethnic group.At present,it is preserved in the world in two textual forms:One is the vocal script,which is a written text that forms a relatively fixed format with the written lyrics and indicative symbols;the second is singing performance text,which refers to oral text(including native performances in folk activities and staged performances in the context of intangible cultural heritage).The singing version of“The Legend of Darkness”is essentially designed to serve the singer’s singing performance,and the two texts mentioned above are of the same type and isomorphism,with an intertextual relationship.The study of“vocal literature”on it has shifted from vocal books to singing performances,integrating the concepts of literature,ethnic music,folklore and other disciplines.For literature,it is not only a refined study within the discipline,but also an interdisciplinary study outside.
出处
《艺术传播研究》
CSSCI
2024年第6期91-102,共12页
Journal of Art Communication
基金
湖北省高等学校哲学社会科学研究重大项目(湖北省社科基金前期资助项目)“汉江流域传世民歌整理研究”(编号:21ZD112)
湖北省教育厅哲学社会科学研究项目“鄂西北传世孝歌唱本收集整理与数字化保存”(编号:21Q235)的阶段性成果。
关键词
《黑暗传》
唱本文献学
形态结构
口头文本
互文性
The Legend of Darkness
the philology of singing
morphological structure
oral text
intertextuality
