摘要
1941年,短篇小说《磨麦女》斩获陕甘宁边区首届“五四青年节奖金征文”文艺类甲等奖。这部作品容纳一系列现实妇女困境,对翻身妇女故事的典型叙事路径展开最初的整合,打造出根据地翻身妇女故事的早期形态。在吸收“五四”式觉醒/出走故事的同时,小说探索“统一战线”政策下妇女解放的叙事模式,聚焦妇女问题在革命实践中讲述自身的恰切方法。这种立体观照为后续翻身妇女故事奠定基础,其丰富性与局限性共同构成了解析社会主义革命与妇女解放运动之间现实关系的新通路。
In 1941,the short novel The Woman Who Grinds Wheat won the first Shaan-Gan-Ning Border Region“Youth Day Prize Essay”First Prize in literature and art category.This novel contains a series of realistic women’s dilemmas,and initially integrates the typical narrative path of the“emancipated women”story,outlining the early form of the“emancipated women”story in the base area.While absorbing the“May 4th”awakening and runaway story,the novel explores the narrative mode of women’s liberation under the“united front”policy,focusing on women’s issues and the proper way to tell themselves in revolutionary practice.This kind of three-dimensional view lays the foundation for the subsequent“emancipated women”story,and its richness and limitation together constitute a new way to analyze the realistic relationship between the socialist revolution and the women’s liberation movement.
作者
陈欣瑶
Chen Xinyao(Beijing Institute of Petrochemical Technology)
出处
《写作》
2024年第5期101-109,共9页
Writing
关键词
翻身妇女
主体叙事
性别书写
Emancipated Women
Subject Narrative
Gender Writing
