摘要
杜律选评本是杜诗学的重要组成部分,其编次体例与批评方式互为作用,展示出一种独特的诠释理念。元代重分类,旨在推行“以法论诗”;明代分类与编年并举,分类体通过传递“艺之心法”发展了“以法论诗”,编年体则力推“以意逆志”;清代以编年体为主,吸收了分类体的批评内容,形成一种全新的杜律选评体例与诠释理念结合的样态。杜律选评本体例的交替发展与诠释理念的建构,不仅揭示杜律接受重心的转移和发展,还特别突出地反映了诸家对杜律乃至律诗的认知,为中国古典诗歌批评与理论的研究提供了有益启发。
The selected annotations on Du Fu’s regulated verse are a significant component of Du Fu studies.Their compilation methods and criticism styles interact to demonstrate a unique interpretive concept.During the Yuan Dynasty,the emphasis was on classification,aiming to promote“evaluating poetry through rules”.The Ming Dynasty utilized both classification and chronological methods.The classification method conveyed the“mental cultivation method of art”,developing the“evaluating poetry through rules”,while the chronological method emphasized“interpreting intentions through ideas”.The Qing Dynasty mainly adopted the chronological method,incorporating the critical content of the classification method,forming a new style combining compilation methods and interpretive concepts for Du Fu’s regulated verse.The alternating development of these compilation methods and the construction of interpretive concepts reveal the shifts and developments in the acceptance of Du Fu’s regulated verses,highlighting various scholars’understandings and even the whole genre.This provides valuable insights for the study on Chinese classical poetry criticism and theory.
出处
《杜甫研究学刊》
2024年第4期72-86,共15页
Journal of Du fu Studies
基金
2022年国家社科基金资助项目“元明杜律选评本研究”(22FZWB057)阶段性成果。
关键词
杜律选评
分类体
编年体
体例嬗变
诠释理念
selected annotations on Du Fu’s regulated verses
classification method
chronological method
the evolution of compilation method
interpretive concept
