摘要
实景剧《文成公主》以文成公主入藏和亲的历史故事为主题,采用跨媒介的叙事手法和综合艺术的表现形式,成功地将历史中的难以忘怀转变为艺术中的感人至深,使观众获得沉浸式的审美体验。因此,本文将实景剧《文成公主》置于艺术活动的坐标系中,从接受美学的视角出发,对该剧进行整体、多维的审美观照,剖析该剧的艺术手法和创作理念,以期为后续的艺术创作提供启发与理论参考。
The live-action drama Princess Wencheng takes the historical tale of Princess Wencheng's entry into Tibet and her marriage as the central theme,which adopts cross-media narrative techniques and comprehensive artistic expression forms.It successfully transforms the memorable history into emotional appeals,enabling the audience to acquire an immersive aesthetic experience.Thus,this paper positions the live-action drama Princess Wencheng within the spectrum of artistic activities.Starting from the perspectives of acceptance aesthetics,this paper conducts a comprehensive and multi-dimensional aesthetic observation of the play.Moreover,it analyzes the play's artistic techniques and creative concepts,hoping to offer inspiration and theoretical references for subsequent artistic creations.
出处
《西藏艺术研究》
2024年第3期102-110,共9页
Tibetan Art Studies
基金
国家社科基金重大项目“中国艺术民俗学的理论与实践研究”子课题“表演类民俗艺术研究”(项目编号:22ZD06)阶段性成果。
关键词
《文成公主》
实景剧
艺术接受
艺术创作
西藏文化
Wencheng Princess
Live-Action Drama
Artistic Acceptance
Artistic Creation
Tibetan Culture
