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从主体间性看彝族汉语诗歌艺术语言的视域融合

The Fusion of Artistic Language Horizons in Yi-Han Chinese Poetryfrom the Perspective of Inter Subjectivity
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摘要 彝族汉语诗歌艺术语言是铸牢中华民族共同体意识的文学实践,在中华民族多元一体格局中,彝族汉语诗歌反映彝汉民族交往交流交融过程中形成的独特文化内涵和审美心理。彝族汉语诗歌艺术语言在创作主体到发话主体视域融合中生成,在文学阐释和审美活动的主体间性中实现,在发话主体召唤结构和接受主体期待视野中,求真和想象成为推动彝族汉语诗歌艺术语言视域融合的心理机制,在场与缺席、互文与创造是触发视域融合的根本动因。 The artistic language of Yi-Han Chinese Poetry as a literary practice for fostering the strong sense of community for the Chinese nation.Within the framework of China’s multi-ethnic unity,Yi-Han Chinese poetry reflects the unique cultural connotations and aesthetic sensibilities formed through the interactions and integration of Yi and Han ethnic groups.The artistic language of Yi-Han Chinese poetry emerges from the fusion of the perspectives of the creative subject and the speaking subject.It is realized through the inter subjectivity of literary interpretation and aesthetic activities.In the dynamic interplay between the invoking structure of the speaking subject and the horizon of expectations of the receiving subject,the pursuit of truth and imagination drives the psychological mechanisms that facilitate the fusion of perspectives in Yi-Han Chinese poetry.The fundamental factors triggering this fusion of horizons are the interplay of presence and absence,as well as intertextuality and creation.
作者 周敏 耿好 ZHOU Min(School of Language and Culture,Chuxiong Normal University,Chuxiong 675000,China)
出处 《长春工程学院学报(社会科学版)》 2024年第3期68-71,共4页 Journal of Changchun Institute of Technology(Social Sciences Edition)
基金 云南省社科规划社会智库项目《彝族汉语诗歌艺术语言赋能乡村振兴的理论逻辑和实践路径》(项目编号:SHZK2023327)。
关键词 主体间性 彝族汉语诗歌 艺术语言 视域融合 inter-subjectivity Yi-Han Chinese poetry artistic language horizon of fusion
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