摘要
20世纪50年代,人民文学出版社仅仅出版了六部作家文集。某种程度上来说,这一罕见现象的背后,体现的是该时期文学模式与文学规范的显著存在。考查作家文集的出版情况,发现健在作家都无一例外地对旧作展开过修改。在此基础上,梳理版本变迁,不但有助于呈现作家的旧作修改困境,更能揭示与之对应的作家身份调适过程,从而为20世纪50年代作家文集出版现象提供参考。
In the 1950s,People's Literature Publishing House only published six anthologies of writers.To some extent,this rare phenomenon reflected the remarkable existence of literary patterns and norms in this period.According to the investigation on the published anthologies,all living writers have revised their dated works.On this basis,the sorting out of edition changes not only helps to present the dilemma of writers in revising their dated works,but also reveals the corresponding adjustment process of writers'identities,so as to provide reference for the publishing phenomenon of writers'anthologies in the 1950s.
作者
杨洁
YANG Jie(College of Literature,Guizhou Normal University,Guiyang 550001,Guizhou,China)
出处
《铜仁学院学报》
2024年第5期65-71,共7页
Journal of Tongren University
基金
国家社科基金一般项目“现代汉语规范问题学术会议与中国当代文学语言建构研究(1949-1966)”(22BZW024)。
关键词
人民文学出版社
作家文集
出版
People's Literature Publishing House
anthologies of writers
publication
