摘要
在现代舞台条件下,各种表现手法和技术手段的发展迭代快速,使得舞台语汇对文本的表达有了更多可能性,这也加剧了演出与文本的对应度和一致性的分歧;但解决分歧不宜割裂二者关系,更不能排斥现代舞台语汇的表现手法。现代舞台语汇的发生和发展实际上与现当代戏剧创作的发展有着同步性,其本身不仅仅是一种外在的表现形式,更是一种叙事的调节系统,在表现散点式的生活、人的内心世界、作者的介入和干预以及哲理象征方面有着一定作用。
Under the conditions of modern stage,the rapid iteration of the development of various expressive and technical means makes it possible for the stage glossary to express the text,which also aggravates the divergence of the correspondence and consistency between the performance and the text,but it is not appropriate to solve the divergence by splitting the relationship between the two,and even more importantly,it is not right to exclude the expressive methods of modern stage glossary.The occurrence and development of modern stage glossary is actually synchronized with the development of contemporary theatrical creation,which is not only an external form of expression,but also an adjustive system of narrative with a certain role in the expression of scattered life,the inner world of human beings,the author's intervention,and philosophical symbolization.
作者
徐煜
Xu Yu(Department of Theatrical Literature,Shanghai Theatre Academy,Shanghai,200040.)
出处
《民族艺术研究》
CSSCI
2024年第5期134-140,共7页
Ethnic Art Studies
基金
2024年度国家社科基金艺术学重大项目“中国话剧的民族化、现代化、国际化探索与发展研究”(项目批准号:24ZD07)的阶段性研究成果。
关键词
现代舞台语汇
文本
争议现象
分歧
modern stage glossary
text
phenomenon of dispute
divergence
